(1984) Wolfgang Amadeus Mozart: Opera & Concert Arias nbr_cd:Video This recording also represents the

This recording also represents the last documentation of Dietrich Fischer-Dieskau’s art

he stopped teaching

and fugato pieces in which imitative counterpoint is employed call forth Telemann’s German contrapuntal heritage

The name Concertini sometimes given to the Divertimenti may be due to the very virtuosic treatment of the fortepiano part (small cadenzas abound)

joyful acrobatics in virtuoso passages) with the French bon goût

(1984) Wolfgang Amadeus Mozart: Opera & Concert Arias nbr_cd:Video This recording also represents theHe is one of the few tenors who truly understands what he sings. He captivates with his intellect and seduces with his passionate style of expression. He possesses not only a well trained, mellifluous voice, but also a keen sense for drama. He stimulates, animates, enriches and convinces with the charm and logic of his performances. Haefligers recitals, his oratorio performances, his intense and sincere interpretations of Bach will remain