(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen This is not the case

This is not the case for Heitor Villa-Lobos

Here the clashing miscellany of the previous movements congeals into an expressive monologue

The work is still completely in the tradition of late-romantic choral music

to which her step-mother refused to take her

she extended her discography with a recording of Liszt’s 12 Transcendental Studies under the Swiss label Claves Records

(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen This is not the caseAlongside Italy's prolific but also highly inspired, sometimes to the point of grandiloquence, a less rhetorical but more playful musical genre was developing in France: the air de danse. The melodic theme of each dance was commonly called timbre. These airs appeared in a variety of forms, depending on the audience for which they were intended: sometimes they were called harmonized danse de cour, sometimes dancerie (the term used by Claude Gervaise).