Cranfield Heavy Copper Plate Oil Size:1 Litre examples show the types of

examples show the types of marks that can be achieved and troubleshooting notes make this book a complete reference for all printmakers interested in exploring these new ideas for lithography

it inspires art practices that benefit the environment and enrich understanding of the making process

For aqueous systems only

Delicate washes can be created by adding Lascaux Tusche diluting liquid to the tusche in the palette or on the substrate

Perfect for creating film positives for screen printing

Cranfield Heavy Copper Plate Oil Size:1 Litre examples show the types ofPlate oils, sometimes referred to as copperplate oil, burnt plate oil or litho varnish in lithography, are the main ingredient in all printmaking inks besides pigments. Derived from linseed oils, processing has become less hazardous over the centuries, and it is no longer set on fire in vast vats (hence the name burnt plate oil) but rather heat polymerised to create stand oils of varying viscosities to suit the inks end use. There are different