Know me to be your superior in everything: Erik Satie & the Metropolitan Church of Art of Jesus the Conductor Mary Oliver Let the River Flow addresses

Let the River Flow addresses readers with an interest in decolonial

Asger Jorn and Guy Debord

drawing connections between microbial communities and aspects of human culture: politics

Katrina Dodson translates her work

Charles Manson

Know me to be your superior in everything: Erik Satie & the Metropolitan Church of Art of Jesus the Conductor Mary Oliver Let the River Flow addressesIn 1892, Erik Satie was at a crossroads. Despite having already composed some of the finest works ever written for piano, the 26 year old was still penniless and unappreciated. His artistic ethosa paradoxical mix of reactionary Medievalism and avant garde absurdismcould find no quarter in fin de sicle Paris. And so, with his musical aspirations dashed and nowhere left to turn, Satie would turn to himself. His subsequent revolt was as shocking as it